Sun, 29 March 2015
A new Renaissance, a Golden Age - Whatever you call it, Paris in the second half of the 19th century saw a greater number of master sculptors doing work in more unprecedented ways than the world had seen since the early Florentine Renaissance. This episode takes a look as several sculptors and highlights their individual originalities as well as their relation to each other.
Direct download: Episode_26_-_the_19th_century_sculptural_renaissance.mp3
Category:19th Century -- posted at: 12:00am EDT
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Sun, 22 March 2015
"Those who have seen it have not forgotten the magnificent tipsy laugh of the figures in the dancing group on the front of the Opera; you seem to hear it, as you pass, above the uproar of the street." Is this remark from Henry James praising Carpeaux's masterpiece The Dance, or damning it? Yes. But whether a person loved or hated the sensual rhythms of The Dance, it and its creator could not be ignored.
Direct download: Episode_25_-_Carpeaux_and_the_Second_Empire.mp3
Category:19th Century -- posted at: 3:06am EDT
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Sun, 15 March 2015
The crude and arrogant son of a mason, Jean-Baptiste Carpeaux became the exuberant sculptural voice of the Second Empire and is the greatest sculptor of the period between Canova and Rodin. Funny how 20 years of art school can change a person... This episode charts the education of Carpeaux in all its twists and turns, revealing that the greatest influence on Carpeaux's work was his own stubborn ambition.
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Sun, 8 March 2015
What was life like for a sculpture student of the Ecole Des Beaux-Arts in the 19th century? What did it take to win the coveted Prix de Rome? Jason examines some firsthand accounts of students and critics of the Ecole, highlighting the similarities with - and differences from - contemporary art training in academies and ateliers.
Direct download: Episode_23_-_Inside_the_Ecole_Des_Beaux-Arts.mp3
Category:19th Century -- posted at: 12:00am EDT
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Sun, 1 March 2015
Francois Rude is likely the most important sculptor you've never heard of... Known today as 'the father of naturalism is sculpture', during his own lifetime he was exiled, denied official recognition, and relegated to a corner of the Parisian sculptural scene - and despite everyone's best efforts, changed the course of art history anyway. Find out what debt we all owe to Francois Rude in this episode of The Sculptor's Funeral.
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